Where we work
- Keynotes, panels, conferences, and meetings
- Concerts, bands, DJs, and live performance
- Recording, streaming, press, and overflow feeds
- Temporary, venue, and combined systems
03 / Live audio
Live audio that holds the room.
Speech, music, playback, monitors, recording, streaming, press feeds, and room feeds, all routed from input to every destination.
Mix with purpose
Clear speech, controlled coverage, reliable playback, and feeds built for their destinations.
We work across the complete signal path: microphones, stage inputs, consoles, loudspeakers, monitors, recording, streaming, press feeds, and accessibility feeds.
Bring us in for FOH, monitors, playback, system engineering, stage audio, feeds, or the full audio department.
Audio Engineering projects
What we cover
- FOH, monitors, systems, stage, playback, and feeds
- Microphones, consoles, loudspeakers, processing, and routing
- Soundcheck, rehearsal, cues, and live troubleshooting
- RF, comms, video, recording, and venue interfaces
Complete signal path
One audio system from the stage to every destination.
The console is one part of the path.
Microphones and inputs
Speech, music, instruments, playback, and remote callers.
System engineering
Consoles, gain structure, processing, loudspeakers, coverage, and venue interfaces.
Monitors and stage
Patching, foldback, presenter support, and changeovers.
Playback and cues
Program media, walk-up music, effects, returns, and timing.
Program feeds
Mixes for recording, streaming, press, overflow, communications, and accessibility.
Live operators
Engineers who prepare, listen, mix, and respond live.
Engineering judgment
Prepared before doors. Mixed for the room.
Preparation creates room for good live decisions.
Engineer
Match sources, console, loudspeakers, routing, and crew.
Prepare
Build the patch, gain structure, playback, feeds, and RF interfaces.
Listen
Shape coverage during system checks, rehearsal, and listening throughout the audience area.
Mix
Follow the program and respond as the room changes.
Audio department
Stage, room, and feeds stay connected.
The audio team works directly with production, talent, venue, RF, communications, video, and recording teams.
FOH and systemsCoverage, processing, main mix, and system performance.
Stage and monitorsInputs, patch, foldback, support, and changeovers.
PlaybackMedia, cues, remote returns, versions, and source switching.
RF and communicationsWireless and communications as audio specialties.
Venue systemsHouse consoles, loudspeakers, patch, power, and access.
Feeds and recordingStreaming, recording, press, overflow, and accessibility.
First conversation
Start with what happens onstage.
A date, room, audience, and basic program are enough.
ProgramAudience, talent, rooms, schedule, and rehearsal.
SourcesMicrophones, instruments, playback, callers, stage plots, and riders.
DestinationsRoom, monitors, recording, streaming, press, overflow, and accessibility.
VenueHouse systems, contacts, access, power, and network.
TeamAudio, RF, comms, video, recording, and streaming roles.
PrioritiesCritical speech, music, playback, changeovers, and feeds.
Around audio
Add RF or full production.
Use the audio specialty you need.
Start with the room
Start with what the program requires from the system.
Bring the date, venue, audience details, and a basic outline of what happens onstage.