Where we work
- Keynotes, panels, awards, launches, and conferences
- Concerts, DJs, performances, and live stages
- Receptions, private events, entrances, and reveals
- Ballrooms, theaters, halls, and temporary stages
Event lighting
Lighting built for the stage, the room, and the camera.
Moving heads, stage wash, uplighting, scenic lighting, control, programming, and live cues.
Shape the room
Light the people, the space, and the moments the audience came to see.
The system has to work in person, on camera, and through every change in the program.
Book the complete lighting package or add moving lights, wash, uplighting, programming, or operators.
Lighting production projects and capabilities
What we cover
- Moving heads, stage wash, presenter lighting, and performance looks
- Uplighting, scenic lighting, architectural accents, and room color
- Consoles, data, addressing, programming, and cues
- Fixture placement with venue power and rigging partners
Lighting in the room
From fixture position to final cue.
Requirements for the stage, room, camera, scenic elements, and control system shape one design.
Moving heads
Position, movement, color, beam, and cues.
Stage and presenter wash
Even, camera-conscious light for people and scenic elements.
Uplighting and scenic lighting
Color and texture for walls, architecture, entrances, and stages.
Consoles and data
Programming, distribution, addressing, focus, palettes, and cues.
Looks and cueing
Walk-in, presentation, performance, reveal, transition, and walk-out.
Lighting crew
Lighting directors, programmers, operators, and technicians.
Built around the program
Design the looks. Leave room for live changes.
The operator follows the room, not just the cue list.
Read the room
Stage, audience, cameras, scenic elements, architecture, and program.
Map the system
Positions, coverage, control, data, venue interfaces, and crew.
Focus and program
Coverage, room looks, movement, palettes, transitions, and cues.
Run the cues
Adjust as presenters, performers, timing, and conditions change.
Connected lighting
Lighting should work for both the room and the camera.
The lighting team works with production, venue, scenic, power, rigging, video, audio, and stage teams.
Stage coveragePresenters, panels, performances, lecterns, and scenic elements.
Room looksUplighting, architecture, entrances, audience areas, and atmosphere.
Moving lightsPosition, focus, movement, color, beam, and effects.
ControlConsoles, data, programming, backups, and cue execution.
Venue interfacesPower and rigging coordinated with responsible partners.
Around lighting
Finish the technical picture.
Add production, video, or audio.
Start with the room
What should people and cameras see?
Bring the date, venue, layout, audience, and program.